scott frank, the queen's gambit

And, yes, she does see it as a way of making money. And then I give it to really talented people, and they take it from there. I think now movies have become more - movies in theaters have become more about spectacle - you know, people in capes and sort of broader, bigger, more expensive, a reason to kind of get out of the house to go see for the most part. FRANK: Yes. And so I really thought I was working on the family you choose, which is kind of a favorite theme of mine. In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. The tantalising Berlin-set period drama will fill the TQG hole in many people's lives. 15 Brant Road South, Cambridge, Ontario, Canada. With Anya Taylor-Joy, Chloe Pirrie, Bill Camp, Marcin Dorocinski. And so it really became - it sort of became mine in a way because I'd always been fascinated since my very first script, "Little Man Tate," with sort of the cost of genius. And she's not very communicative to the people who care about her. What a pleasure. 2020 Directed by Scott Frank. SCOTT FRANK: In the case of The Queen’s Gambit, it was a very sad moment and I was looking for something. And "Out Of Sight" was plunked among all these other giant movies and things like that. SOULE: (As Miss Jean Blake) ...Revelation or ecstasies. VENUGOPAL: You mentioned this photo you took for "The Queen's Gambit," something that inspired you. We're thinking they're playing on paper chessboards with plastic pieces. TAYLOR-JOY: (As Beth) Yes. And Beth is touched. And I think that's really sort of the issue for her there. This path brings him face-to-face with his alter-ego: the Joker. So - and people really - I remember sitting in a theater with my folks, actually, and watching - you know, we'd gone to the movies, and the trailers came up for what was coming out. ANYA TAYLOR-JOY: (As Beth) They're just pieces. Abandoned and entrusted to a Kentucky orphanage in the late 1950s, a young Beth Harmon discovers an astonishing talent for chess while developing an addiction to tranquilizers provided by the state as a sedative for the children. And he, back in the day when Walter Tevis was writing the novel - I think it was Simon & Schuster asked him - or Random House asked him to be a consultant for Tevis to make sure that the chess was accurate. And at one point we had a chess summit where, as we were scouting locations and I was - you know, we were, you know, picking crops and things, we had different chess sets for every single tournament. I would not describe myself as pretty good. And I understand it, but I really thought I was writing against it, believe it or not, because I want to Jolene to come back. But the one thing he loved was Bruce suggested the title, "The Queen's Gambit.". And I tend to operate from a place of - I have a very specific, you know, vision, if you want to call it that. Search for "The Queen's Gambit" on Amazon.com, Title: Do you think there's any rhyme or reason to why movies or series click with the public or don't? And she's doing everything she can to avoid it. FRANK: Yeah. It's what we are. And so you think the worst is going to happen, and it's not done to her by other people so much as she does it to herself. GROSS: Scott Frank is co-creator, director and executive producer of the Netflix limited series "The Queen's Gambit." We don't see her gleefully pushing people away. And the Wheatley house, obviously, it's a riot of wallpaper and, you know, that blue everywhere. And I think it's very hard to tell what's going to connect with people. And it's an amazing photograph. The show follows her as she rises in the world of international chess during the 1960s while dealing with self-doubt and addiction. But a wild night sends her into a self-destructive spiral. And what was interesting is that the hotel was chess-themed, which we found too much. Check out his recent piece in The Atlantic called "The Truth Behind Indian American Exceptionalism." I'm worried that by getting concrete in sort of the next chapter of her life, it kind of takes away what - for me, at least - was so lovely about this story. His film work, credited and uncredited, extends to dozens of films. And you had a run of brilliant movies until "Star Wars." The Queen’s Gambit co-creator Scott Frank and star Anya Taylor-Joy unexpectedly dominated the Netflix game this fall. The screenwriter-turned-showrunner is now writing a sexy Nabokov film for Anya Taylor-Joy and wants Clive Owen to play Hammett's Sam Spade. And it wasn't - you know, I was with my parents, which really hurt. And his idea and being from Germany, thinking about America from Germany, was a fascinating thing for me to see. She's such a fascinating character. I'm Terry Gross, and this is FRESH AIR. And she's very worried that she's going to become like them. In a making of documentary, The Queen's Gambit showrunner Scott Frank and stars like Anya Taylor-Joy pull back the curtain on the Netflix series. Even on a group trip into town, I spent my ice cream money on a damn chess magazine had your ugly face on it. Period. How did you do this in a way that was both interesting and true to life? It's the first of many instances in "The Queen's Gambit" where we suspect the motivations of all the men she encounters as if sexual violence were almost inevitable in the story of a strong, spectacularly talented woman. Affection isn't something she understands very well. Orphaned at the tender age of nine, prodigious introvert Beth Harmon discovers and masters the game of chess in 1960s USA. And it's mentioned, I think, once early in the series. And she comes back in the novel, and she's actually much more of the savior character in the novel than she is here. You had to understand what the stakes are not just about winning and losing, but for her personally. Someday I might need you. SCOTT FRANK: Thank you so much for having me. I mean, I've talked about this before that her kind of addiction and obsession - it can get weary. And we had kind of different color scheme and lighting scheme for each of these things. But she is sort of also lonely. FRANK: No. I would describe myself as very average. ‘The Queen’s Gambit’: Scott Frank Deconstructs the Netflix Global Blockbuster and Emmy Frontrunner And, you know, and a lot of people have bumped on that scene and bumped on Jolene as a character for exactly that reason. And I think that that - I think it's better because you don't know. Or is this the series itself? And he taught Josh, the young boy from "Searching For Bobby Fischer." FRANK: It's the series itself. And we know that what she's doing is something that she can't help. But I do understand chess. Writer | Producer | Director. Now, according to Frank, the pair is … Let's get back to our interview with Scott Frank, co-creator, executive producer and director of the Netflix limited series "The Queen's Gambit." And I didn't want it to be one way or the other. Did it come up as you were writing these scenes? Here's Arun. And it's changing every day. FRANK: No. And, you know, it's been - we've had these weird historical things. And - or he would say, no. The Queen's Gambit I feel safe in it. I'm Terry Gross, back with more of our interview with Scott Frank, co-creator of the Netflix limited series "The Queen's Gambit." Sometimes people find patterns or meaning where there aren't any. I can control it. And Anya has an amazing, amazing face, and she - it's so expressive, and you can read so much into it. I'm Terry Gross. The Queen's Gambit is a 2020 American coming-of-age period drama miniseries based on Walter Tevis's 1983 novel of the same name. First, in the writing of the script, I realized I had to see, what is the least amount of chess I can get away with? And she falls apart. It earn 8.6 rating out of 10 […] Scott Frank was born on March 10, 1960 in Fort Walton Beach, Florida, USA. And I think we care about that because we see her searching for that. And we would ask Bruce, OK, it's the Kentucky State Championship. The Queen’s Gambit is streaming on Netflix. Heath Ledger was going to do it as his directorial debut before he died. And Paris is yet another thing. ‘The Queen’s Gambit’: Scott Frank Deconstructs the Netflix Global Blockbuster and Emmy Frontrunner. Nine year-old orphan Beth Harmon is quiet, sullen, and by all appearances unremarkable. And this is the first of many instances where we experience a sense of dread on her behalf. They - you know, she really helps her liquor addiction and so on and so forth. Limited Series. So we were going to use production design to - as this kind of sleight of hand to make us feel like we're in Mexico. Creators:Scott Frank, Allan Scott. Here we encounter the administrators of the orphanage as they review her file before meeting her. He spoke to guest interviewer Arun Venugopal. I needed somebody whose face you just couldn't stop studying, who was just fascinating. The title refers to "Queen's Gambit", a chess opening. But it was - it changed everything. Allan Scott, who has owned the film rights to The Queen's Gambit since 1992 and was working with Ledger on the latter version's screenplay (which … Is it true that the actress, Marielle Heller, wasn't herself sure of the character's motivations as she played the role? GROSS: This is FRESH AIR. And this felt like the ultimate expression of that theme. She is, after all, still a young woman in school. And Benny, when he tells her the speech about playing as a team, what he's really saying is, you can't be alone forever. Yeah, sure. And anyway, it was the board I noticed first. What is the plainsong sung by the women (girls) when Beth returns to the orphanage for Mr Shaieble's funeral? It's so unique and different that it's difficult to put into words. We've rounded up our most anticipated new and returning TV shows you can't miss, all premiering in summer 2021. VENUGOPAL: We expect the orphanage to be run by monsters - Ms. Ratched, right? FRANK: Very much. The series cover a total of 7 episodes which released in 2020. In recent years he has worked for Netflix on television miniseries, most prominently co-creating The And she doesn't want to go insane like her mother. And this was an amazing collaboration. And he would tell us how accurate we were. George Clooney is a bank robber she's trying to catch and who, against her better judgment, she's falling for. Any time there is a new Scott Frank project, it's something to celebrate. It was a rental. So why do we care about her? The series, starring actress Anya Taylor-Joy, has also sparked a boom in the sale of chess sets. FRANK: Well, the novel is fantastic. And I needed somebody - because so much of it was going to be on her face, which is different for me - you know, I don't usually like to shoot too many close-ups, and this was going to live in a lot of close-ups. "Nomadland" and "Queen's Gambit" took top prizes at USC's annual Scripter Awards, which honor screenwriters and original author. And every time I would rework the script, I would lose them. And I love those films, and I love the way they look. FRANK: We were scouting a hotel lobby in Toronto, and so we were up there looking. But I thought it would be ironic if, in the limited series, if she comes back but she's super successful (laughter). The Netflix limited series tells the story of an orphaned girl who becomes a chess pro in a male-dominated world. VENUGOPAL: There's a nice exchange towards the end of the series between Beth and her friend Jolene. A modern update finds the famous sleuth and his doctor partner solving crime in 21st century London. VENUGOPAL: And I was wondering, how would you characterize Beth Harmon? After we take a short break, John Powers will review "Elizabeth Is Missing," a new television film on PBS' "Masterpiece." 'The Queen's Gambit' writer-director Scott Frank talks about bringing the Netflix series to the screen after years of trying. He received Oscar nominations for writing "Out Of Sight" and the "X-Men" film "Logan." But this scene is set later on when they're grown up and have reconnected. You know, she is someone who - you sit across the chessboard from her, and you're instantly unnerved. She doesn't speak a lot. I just thought it was amazing. And I kept thinking about Douglas Sirk. VENUGOPAL: "The Queen's Gambit" is actually a chess opening, a strategy. She would ask me, and I wouldn't tell her because she's both, you know? Frank talks about consulting with grand masters and maximizing the drama of the game. SOULE: (As Miss Jean Blake) It's the finding of pattern or meaning where other people don't. SOULE: (As Miss Jean Blake) No, of course not. Her mother, Alice Harmon, was pronounced dead at the scene. FRANK: No, I don't think so. And it's predictable, so if I get hurt, I only have myself to blame. Haunted by her personal demons and fueled by a cocktail of narcotics and obsession, Beth transforms into an impressively skilled and glamorous outcast while determined to conquer the traditional boundaries established in the male-dominated world of competitive chess. He's written the screenplays for "Minority Report," "Get Shorty" and "Wolverine." And - you know, and we were using humor, and the tension of the chess matches and everything in her intellect to kind of play against that because it does - watching somebody be an addict and self-destructive repeatedly can get old fast. And so I think that she is peculiar. Check Your Expectations at the Door. And we would say, this is our location. This is FRESH AIR. And she, you know, just wants what she wants. VENUGOPAL: Scott Frank, thanks so much for joining us today. It stars Jennifer Lopez as a U.S. marshal. And, you know, Mrs. Wheatley is inattentive, probably. FRANK: We care about her because we know she's trying, because we know that she doesn't want to be alone.

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